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Marie Brown & Melissa Chisena |
Birds
on a Wire Dance Theatre, located at the Performance Garage, 1515 Brandywine
Street, presented a wonderful evening of dance entitled HATCH an evening of new dance
works. HATCH represents the results of an eight month development
program for emerging choreographers that gives them support with production,
professional lighting, sound equipment and professional video recordings of
their live work. 7 pieces were performed demonstrating a wide variety of styles
and techniques. The first piece, entitled Viewpoint, was choreographed by Lora Allen and danced by Crystal Nicole,
Alexis Dispenziere and Ashley Lippolis. The dancers, all dressed in white, were
very lithe and graceful and much of the dance consisted of the dancers folding
their bodies over and around each other as if different parts of one whole. The
second piece, Terra, was choreographed by Katie Moore and performed by Aurora
Jensen, Marina Kec and Sarah Warren. These three dancers, dressed in black,
were almost the antitheses of the performers in the first piece, as all of the
dancing was separate and most of it was very upbeat. Passport was choreographed by Belle Alvarez and
performed by her as well as Laura Baehr, Allie Linn, Talia Mason, Sarah
McWilliams and Rachel Winograd. Much of this dance was contemporary and the
dancers frequently stepped out of their dance routine to speak a phrase or a
word, many of them beginning where the previous dancer ended. There was a
resolution in which all dancers came together at the end. Primal was choreographed
by Marie Brown. She and Melissa Chisena danced to music by Sepultura, a native
Brazilian metal band. Marie stated that her movements were inspired by martial
arts movements and animals from the Amazon. It appears to be a combination of
cautious animals inspecting each other and robots going haywire. Whatever the
inspiration, the end result was a lot of fun. Gestures of Longing was
choreographed by Sakshi Productions. Based on the poem “The Dream Song of the
Deaf Man,” this piece is a collaboration between Jubil Khan, donia salem and
Nandini Sikand who use the gestural vocabulary of odissi dance and American
Sign Language. The words which were being signed were projected onto the wall
behind the performers so that the audience could better understand the meaning
of the poem. Never having been exposed to odissi dance, I found it both
beautiful and powerful. Depths of
Equality- Part II was choreographed by Mawiyah Dowd and was an attempt to
explore racial bias. Performance artists were Amanda Edwards, Isaac Lindy, Brendan
Tetsuo, Harlee Trautman and Haylee Warner. The final piece, Unfulfilled,
was choreographed by Corey Melancon. Dancers were Rebecca Brodowski, Julee
Mahon, Joanna Martin, Brianne Scott and Molly Woytowicz. Despite its title,
this was a lovely piece of modern dance. Most of the dancing was in unison,
although it ended dramatically with four dancers leaving the stage and the
fifth making a flying leap onto her stomach into their arms. Birds on a Wire
Dance Theatre will be presenting In The Clearing Sept 9th
and 10th in the Christ Church Neighborhood House. This is a work choreographed
and directed by artistic director Melissa Cameron. It will feature performances
by Kate Abernathy, CrystalNicole, Kathy Kerner, Claire Lutz and Molly Woytowicz. Open auditions to join the cast will be
announced soon.