Campbell O'Hare, Alice Yorke & Newton Buchanan
https://ci.ovationtix.com/35072/production/1232767?performanceld=11608142
Campbell O'Hare, Alice Yorke & Newton Buchanan
https://ci.ovationtix.com/35072/production/1232767?performanceld=11608142
Lantern Theater Company is presenting William Shakespere’s Macbeth through December7, 2025, at St. Stephen’s Theater at 10th and Ludlow Streets, Philadelphia, Pa. One of the powerful elements of the Lantern Theater Company is its ability to alter its stage at the theater. The seating is flexible. For this production, seating is on two sides of the stage only. The floor of the stage emulates tiles and barriers are built along the sides of the stage to indicate the sides of castles. Anthony Lawton is one of the most accomplished actors in the Philadelphia region. Casting Karen Peakes against him as Lady Mabeth was brilliant. The two are excellent in their roles; their voices project; you can feel their oncoming madness. Every actor is outstanding in his role as well. Frank X plays the original king who is deposed and he also plays multiple other parts. Jered McLenigan well-plays the dual roles of McDuff. The weird sisters Rachael Brodeur, Eli Lynn and Amanda Schoonover make several appearances and are fleet of foot as they quickly disappear as the lights go out. The scene changes are numerous and are very tight. As some actors exit from one side of the stage, other actors enter from the other side. There are frequent flashes of light and accompanying sounds thanks to the superb work of Lighting Designer Shon Causer and Sound Designer Christopher Colucci. For tickets to this excellent production, call (215) 829-0395 or visit online at www.lanterntheater.org.
The
Lady Hoofers Tap Ensemble will be returning to the Suzanne Roberts Theatre, 480
S. Broad Street, for their signature production of The Tapcracker
on Saturday, December 13 at 11:00 am, 3:00 pm and 7:30 pm and again on Sunday, December 14 at 3:00 pm. With a cast of over 40 dancers from PA, NJ, and DE, The
Lady Hoofers have developed an all tap version of the much beloved holiday
classic. The Tapcracker whisks audiences to Paris, where an infestation
of rats has thrown the city into chaos: toy soldiers guard the Eiffel Tower, and
mice wreak havoc in the metro.
A new portable wood floor amplifies the sound of previous productions. First company
dancer Mia Valeriole will premiere a new work of choreography. At all performances,
refreshments, apparel, holiday gifts, and lap-themed stocking stuffers will be
available for purchase.
Tickets may be purchased at: https://the-lady-hoofers.ticketleap.com/
Ensemble Arts Philly and the Shubert
Organization will present the Philadelphia Premiere of Back to the Future: The
Musical at the Academy of Music November 18 – 30, 2025. This production is
based on the wildly successful Back to the Future film trilogy created by
Robert Zemeckis and Bob Gale. Tickets for the musical are on sale now at www.ensembleartsphilly.org.
Back to the Future:
The Musical follows Marty McFly, rock ‘n’ roll teenager, who is accidently
transported back in time to 1955 in a time-traveling DeLorean. Before he can return
to 1985, Marty must make sure his high school-aged parents fall in love to ensure
his own existence.
The production
is directed by Tony Award winner John Rando and features a multi-Tony and
Oliver Award-winning design team. The musical has a book by Bob Gale and new
music and lyrics by Emmy and Grammy-winning Alan Silvestri and six-time Grammy
Award-winning Glen Ballard.
Back to the
Future: The Musical has been an international success. It has been playing for
four years in London’s West End. It recently premiered in Tokyo and Sidney and is
slated to open in Hamburg, Germany in March 2026. How fortunate it is to have
it slated for Philadelphia in November 2025 !
Tickets can be
purchased online at www.ensembleartsphilly.org,
by calling 215-893-1999, or by visiting in person at the Academy of Music Box Office
(240 S. Broad Street) daily from 10:a.m. – 6:p.m. For more information, visit www.ensembleartsphilly.org.
Groups of 10 or more can save money by calling 215-790-5883 or emailing groupsales@ensembleartsphilly.org.
Hadestown
was the most honored show of the 2018-2019 Broadway season. In addition to the
show’s eight Tony Awards, the show has also been honored with four Drama Desk
Awards, six Outer Critics Circle awards, including Outstanding New Broadway
Musical, and the Drama League Award for Outstanding Production of a Musical.
The Grammy winning Hadestown Original Cast Recording is now available at
Hadestown.com/music.
Visit
www.ensembleartsphilly.org to
purchase tickets or Telecharge at 800-543-4835.
In
person tickets can be purchased at the Forret Theatre Box Office, located at
114 Walnut Street, Monday thru Friday from 10:00 a.m. to 6:00 p.m. Group orders
may be placed by calling Broadway Inbound at 866-302-0995.
Ensemble
Art Philly is presenting the Philadelphia Premiere of the 2023 Tony Award Winning
Best Musical, Kimberly Akimbo. This new musical, also the winner
of four other Tony Awards and numerous other acclamations, including the Drama Desk
Award and the New York Critic Circle Awards, will appear at the Academy of Music
from October 21 – November 2, 2025. Kimberly is about to turn 16 and has
recently moved with her family to a new town in suburban New Jersey. In this extraordinarily
funny and yet hold-your-breath sad moment show, Kim must find her way through family
dysfunction, a rare genetic condition, her first crush, and possible felony charges.
Ever an optimist, she is determined to find happiness against all odds and embark
on a great adventure.
Kimberly
opened on Broadway to rave reviews on November 10, 2022. Tickets can be
purchased online at www.ensembleartsphilly.org
, by calling 215-803-1999- or in person visit to the Academy of Music Box
Office ( 240 S. Broad Street ) daily from 10 a.m. – 6 p.m. For more information,
visit www.ensembleartsphilly.org.
Lantern Theater Company is
opening its theater season with a production of Tom Stoppard’s The Real Thing,
directed by Peter DeLaurier. Tom Stoppard’s play is a bit autobiographical as
he had an affair with an actor, as his main character Henry does. Henry’s wife,
Charlotte, is in the play he is writing about, and may have had an affair with Max,
her lead. Henry, meanwhile, has an affair with Annie, Max’s wife. When the
affairs become known, he swears undying love to Annie. There are aspects of a “play
within a play” that fade in and out of Stoppard’s work. You must pay close attention,
or you will wonder why certain lines of the play are repeated. The acting of
all the ensemble cast members is first rate. Henry (J Hernandez) is a
playwright who is dedicated to the printed word. Annie (Campbell O’Hare) is resolute,
first to Henry, then to activists and their causes. Charlotte (Brett Ashley
Robinson) is dedicated to several men. Brodie (Adam Howard) is dedicated to a
variety of causes, and it shows through his activism), prison sentence, and
poor play writing. Billy (Trevor William Fayle) is dedicated to acting well in
a badly written play, as well as making an impression on Annie. Debbie (Cheyenne
Parks) is dedicated to making her own way in the world with her boyfriend. There
are multiple reasons to grab a ticket to see Tom Stoppard’s latest play. The
Real Thing explores real themes of tastes in music, honesty, suspicion,
romance, and love. The play runs through October 5, 2025, at St. Stephen’s
Theater, 10th and Ludlow Streets, Philadelphia, Pa.
Michael
Doherty and Will Mobley have written a new play that is directed by Matthew
Decker. It has just premiered at the Philadelphia Fringe Festival. Entitled Dogberry
and Verges Are Scared, this fantastically funny production has the
audience laughing from the moment it begins until the grand finale. Loosely
based on the theme of Shakespeare’s Much Ado About Nothing, Dogberry
and Verges Are Scared is a constant comedic interplay between Dogberry
(Scott Greer) and Verges (Anthony Lawton). On numerous occasions, Dogberry
implores Verges not to speak. Anthony Lawton’s facial expressions in response are
priceless. The conversations between the two are riddled with malapropisms,
words that sound similar but have different meanings. When a messenger (Robi
Hager) arrives and supplies the correct word, Verges argues and gives another
meaning for the word that the messenger has supplied (which of course is
similar but incorrect). Robi Hager and three other cast members have multiple
roles in this delightful romp. Dogberry and Verges Are Scared can
be seen through September 14, 2025 at Christ Church Neighborhood House 20 N.
American Street. There are over 400 plays participating in the Philadelphia
Fringe Festival. You won’t enjoy anything more than Dogberry and Verges Are
Scared.
Jered Mclenigan, Eli Lynn, Dave Johnson
& Lee Minora
Lantern
Theater Company is producing Patrick Barlow’s rollicking version of an old hit,
fashioned after an Afred Hitchcock movie. The 39 Steps, has the audience
laughing from the very first moments when a shadowed figure behind a lit screen
appears like Alred Hitchcock to the last moments that end with a twist. This
fast-paced route has no let-up. Hannay (Jered McLenigan) is accused of murder
early on and spends the rest of the farce trying to prove his innocence and save
the world from the mysterious 39 steps.
Lee Minora portrays both the
victim of murder and Pamela , who for the most part is Hannay’s nemesis. I
overheard an audience member stating that “both actresses were really good.”
Let that be a testament to Ms. Minora that the audience member did not realize that
she was portraying both parts. Eli Lynn and Dave Johnson play a multitude of
roles to perfection. The timing is superb with costume changes sometimes nothing
more than a quick switch of a hat or coat. The quicker the change, the faster
the audience had a reaction with chuckles, guffaws and belly laughs heard throughout
the theatre all night long. The result of each design team’s efforts was extraordinary.
Nowhere more than this production does, ”It takes a village,” ring true. Levonne Linday was responsible for the seamless
costume changes of the many minor character in the productions. While Sound Designer Christopher Colucci produced a
realistic sounding train, Projection Designer Michael Long and Scenic Designer
Dirk Durosette convinced everyone in the audience that the characters might
actually be traveling on one. Shon Causer’s light implied the image of a train coming down the
tracks. His spotlights upon suspected criminals were hysterical. The 39
Steps has been extended through June 22 and can be seen at 923 Ludlow
Street in St. Stephen’s Church Theater.
Get tickets now. You’ll laugh yourselves silly.
l
InterAct Theatre Company is
producing the World Premiere of Rift or White Lies by
Gabriel Jason Dean through April 27, 2025. A Wow factor of 10! Based
on the playwright’s true story, this creation gives audience members much to
ponder as two brothers, one a progressive novelist and the other a convicted murderer
and member of a white supremacist gang interact in a series of meetings in a prison
cell. Actors Jered McLenigan and Matteo Scammell are both phenomenal while
playing the roles of a hardened criminal ( “ I didn’t really do it “) and an English
professor/novelist. What is even more extraordinary
is that the actors switch these diametrically opposed roles every other night. Audience
members who retain their tickets can come to see the actors in the reverse
roles the following evening at a discount rate. Inside
and Outside Brothers refers to Inside and Outside the prison cell. The “Outside
Brother” ages over the 26 -year time span of the play by adding a wig and changing his dress. The “Inside
Brother” removes the bandages from his
head and jaw. The “Outside Brother” has the best intentions of repairing
a fractured relationship . The “Inside Brother” is a very convincing con-artist. This
is a very unsettling drama as the shared trauma that unites the brothers is
revealed over time. Q & A with the Artist will be held after
the performance on the 19th and 26th. Q & A with Seth Rozin, the director, will
be held after the 13th and 20th performances.
Dream Girls, which won 6 Tony awards when it premiered
on Broadway in 1981, is
appearing on the Walnut Street Theatre’s main stage through May 4, 2025. It is
a dynamic musical inspired by the Supremes. With over 25
songs in the production’s two acts, it is next to impossible to keep
still in your seats while listening to performances of pop, R & B, disco,
and other musical genres. And the dancing… Gerry McIntyre is both director and choreographer of Dream Girls. The
choreography is excellent throughout the
show . It becomes especially notable midway through Act 1 in the number “Steppin’ to the Bad Side”. It is a great number for the men in the cast. The dance moves
are eye-catching. When Effie White, the lead singer ( Aveena Sawyer), is
delegated to a spot in the back line of the Dreamgirls, Deena Jones (Gabrielle
Beckford) is happy to replace her. Khalifa White ( Lorrell Robinson ), just happily sings along, no matter who the
lead singer is. Effie is eventually replaced by Michelle (Chali Cooke), but she
doesn’t go happily. Aveena Shaw has an outstanding voice and the
ability to project profound grief. She
is a masterful Dream Girl . Dustin Cross has done a phenomenal job with costume
design. On three separate occasions actors changed their costumes onstage by
a flip of their shoulders. The audience
reacted with applause instantaneously. Kudos also go to lighting designer Jose Santiago who uses many lights in a variety of ways. Dream
Girls will be an enjoyable trip down memory lane for some and an
exciting new adventure for others. Wherever your experience lies, be sure to
get your tickets for a performance for this awesome show. For tickets or more information, visit
WalnutStreetTheatre.org or Ticketmaster.com or call 215-754-3550.
Created 15
years ago, the famous show OVO ( “egg” in Portuguese ) by Cirque du Soliel will
be making a stop in Philadelphia with a new version. The OVO team will be
presenting the new iteration of the show: a reimagined set design, new acrobatic
acts, original characters with reimagined costumes and reinvented music.
Comprised of100 people from 25 different countries, including 53 artists. OVO
brings to the stage high-level acrobatic acts, redefining the limits of the
human body. After captivating audiences in 40 countries , OVO is returning to North
America and will be at the Wells Fargo Center in Philadelphia from July 11-13, 2025. Tickets are available at www.cirquedusoleil/OVO.
Ensemble
Arts Philly and the Shubert Organization will be presenting the return
engagement of Beetlejuice. The smash
hit musical comedy will be returning by popular demand to the Academy of Music
from July 29 – August 3, 2025. Tickets are on sale now for members at www.ensembleartsphilly.org ; tickets
will be available to the general public on Friday, March 7, 2025. Based on the
beloved Tim Burton film, this hilarious musical tells the story of Lydia Deetz,
an unusual teenager whose whole life changes when she meets a recently deceased
couple and a demon with stripes. Beetlejuice won the Drama Desk Award
for best Scenic Design and was nominated for eight Tony Awards, including Best New
Musical when it opened in 2019 at Broadway’s Wintergarden Theatre. The design team is phenomenal. Members of the
design team are all multiple nominees or award winners of the Tony Awards or Drama
Desk Awards. Tickets can be purchased by
calling 215-893-1993 or visiting online at www.ensembleartsphilly.org . In-person
tickets can be purchased daily from 10 a.m.- 6p.m.at the Academy of Music Box Office,
located at 240 S. Broad Street. For more information, see www.ensembleartsphilly.org.
Groups
of 10 or more can save money! For more information, call 215-790-5883 or email
at groupsales@ensembleartsphilly.org
.
Walnut
Street Theatre is presenting Noel Coward’s Hay Fever through
March 19, 2025, on its main stage. Gifted set designer Roman Tatarowicz has designed a
palatial home with many exits and entrances for the actors. Hay Fever
premiered in London’s West End in1925 and was a smash hit. It has had many
revivals in the intervening years. Although today’s production is a bit dated, there
are enough ridiculous situations presented to make the comedy down-right
laughable. The first act takes place on a Saturday afternoon. It introduces the members of the Bliss family
and their plans to invite guests for the weekend. No one respects anyone else’s
wishes and there is quite a bit of arguing about who should sleep in “The Japanese
Room.” Act Two takes place Saturday evening. It is quite a bit more frantic,
with Judith Bliss (Alicia Roper) switching men with her daughter Sorel (Anna Baily)
and her son Simon Bliss, (Brandon O’Rourke), announcing an engagement to Jackie
Coryton ( Ellie Mooney ) . In Act 3, guests all arise before the rest of the
household and agree to escape before breakfast, leaving a tip for Clara (Carlotte Northeast) the maid. The acting is commendable.
There are a few scenes when the actors have to speak at the same time as if
they were in a big argument. This is very well done. In other scenes the actors have to keep a straight
face while delivering a ridiculous line. They also do this well. For
tickets or more information, visit WalnutStreetTheatre.org or Ticketmaster or
call 215-574-3550.
Ensemble
Arts Philly and the Shubert Organization will be presenting the hit musical &
Juliet Academy of Music from March
25 - April 6, 2025 , as part of its
2024- 25 Broadway Season. Created by the Emmy- winning writer from Schitt’s Creek,
this hilarious new musical asks- What would happen next if Juliet didn’t end it
all over Romeo? Juliet finds a new ending to her tale and a new beginning to her life with a second chance at
love. Her story is accompanied by a playlist of many old - time favorites of songwriter/producer
Max Martin, including “Since U Been
Gone,” and “Can’t Stop the Feeling.” & Juliet has now been performed on four continents
since its World Premiere in September 2019
at the Manchester Opera House in England. Tickets can be purchased by
calling 215-893-1999 or visiting online at www.ensembleartsphilly.org. In-person
tickets can be purchased daily from 10 a.m. – 6 p.m. at the Academy of Music Box Office, located at 240 S. Broad Street. See www.ensembleartsphilly.org.
for more information.
Bi Jean Ngo & Justin Jain
InterAct Theatre Company, housed in the Proscenium Theatre at the Drake, 302 Hicks Street, is presenting the world premiere of The Quixotic Professor Qiu through February 23, 2025. Though a satire, this work is based on several actual occurrences. Professor Qiu, (Justin Jain) a mathematician, has received a small grant toward his research in prime numbers from a Chinese institute through the auspices of his childhood friend Bi Jean Ngo). Valeria. his teaching assistant, (Madeline Garcia), reading more into a dinner than a casual date with the Professor, feels spurned and turns to the FBI with wild conspiracy theories which the FBI are thrilled to embrace. The professor embarks on a trip to China to plead with his friend to clear his name. What he discovers gob smacks him. The acting in this ensemble cast is mesmerizing. David Pica and Tamir Periasamy play multiple roles. The lighting changes orchestrated by lighting designer Lindsay Alayne Stevens are phenomenal. Following the Saturday matinees there will be discussions with cast members on the themes of the play. On February 8 , Actors Bi Jean Ngo and Madeline Garcia will be in the discussions. On February 15, Tamir Periasamy will be participating and on February 21 Playwright Damon Chua will be in the discussion. Sunday matinees will have professionals in the after-performance discussions. On Sunday, February 9, Carol Rollie Flynn, a 30- year veteran of the CIA and consultant for the Homeland TV show will participate . On February 16, Jacques de Lisles, Professor of Chinese Law, and Politics at UPenn, and on February 23, Xiaoxing Xi, Professor of Physics who was falsely painted as a spy from China by the FBI will lead the discussions. For more information or tickets to this fascinating premiere. Visit www.interacttheatre.org.
The Puitzer Prize winning Driving
Miss Daisy is appearing at the Walnut Street Theatre through February 2. It first appeared off-Broadway in 1987 and was
later staged on Broadway in 2010. Wendy Sharfman portrays Miss Daisy, an elderly
Jewish woman who is having trouble adjusting to losing some of her
independence. Ms. Sharfman does an excellent job illustrating how the character
ages over a period of 25 years. Johnnie Hobbs Jr. portrays Hoke, the
chauffeur who is hired to drive Miss Daisy wherever she needs to go. Scott Greer portrays Boolie, Miss Daisy’s
son, who hires Hoke after his mother had a near-fatal car accident. His
mother sees no need for a chauffeur and Boolie serves as a go-between
the two. Driving Miss Daisy is composed of several short
vignettes. Thanks to the clever design of veteran Roman Tatarowicz, scene
changes take place seamlessly, with sets either disappearing into the air or gliding on and off stage on a series
of tracks. The fourth character, not mentioned in the playbill but worthy of mention
here, is the Car. Actually, there
are two cars over a period of 25 years. Both have seats for Miss Daisy and her luggage in the back
with seats for Hoke to drive in
the front. The car is in several vignettes as Hoke drives Miss Daisy to get groceries, to meet lady friends in synagogue,
and to put flowers by graves in a cemetery. During these times, the
audience sees the friendship between Miss Daisy and Hoke develop
and the bond between them grow. For
tickets to this marvelous production, visit WalnutStreetTheatre.org or Ticketmmaster.com or call 215-574-3550.