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Ulysses & Emma together after 20 years |
Thursday, April 24, 2014
Annapurna
Thursday, April 17, 2014
The Train Driver
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Kirk Wendell Brown, Peter DeLaurier |
The
Lantern Theater Company, located in St. Stephen’s Church at 10th and
Ludlow Streets, is presenting the Philadelphia Premiere of The Train Driver through May 4. Based on true stories of “’suicide
by train” in South Africa, this drama explores the disturbing remnants of apartheid. Peter DeLaurier, a long time and well honored favorite at the Lantern and other
theatres as well, portrays Roelf Visagie, a white South African train driver. Unfortunately, a young black woman with a small child tied to her back has chosen to leap upon the tracks right in front of his train. With not enough time to stop, the ensuing
damage not only pulverizes the woman and her child, but wrecks the life of the
train driver as well. He seeks some sort of redemption while visiting Simon
Hanabe, the Black Man who buries the unknown. Portrayed by Kirk Wendell Brown,
Simon tries to be a calming influence on Roelf. Having survived his job in the dangerous surroundings of the buriel grounds for many years, Brown very effectively displays an
attitude of cautious wariness. He tries to help Roelf by offering him food and shelter
in his shack in the graveyard, but Roelf continues to be tormented. DeLaurier
brings despair to a whole new level. His anguish is palpable. You will leave
the theater asking yourself, “Where would I be without hope?” .For more information or tickets for this powerful
production, call 215-829-0395 or visit online at www.lanterntheater.org.
Sunday, April 13, 2014
Down Past Passyunk
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Vince Turati ,Nicky Grillo. Iggy Guerro |
InterAct
Theatre Company, located at 2030 Sansom Streets, is producing the world
premiere of A. Zell. Willams’ Down Past
Passyunk through January 27. Williams has loosely based the central theme
of his work on the controversial sign “This is America. When Ordering, Speak English.” which appeared in the
window of Geno’s Steak’s and caused a national maelstrom. William Zielinski convincingly
portrays an angry Nicky Grillo, third generation South Philly owner of Grillo’s
Steaks. He is both unable to cope with the newly diversified neighborhood that
has sprung up around him and unwilling to accept modern changes that his spit-fire
daughter Sophia, passionately played by Alex Keiper, tries to bring into
the business. Mild-mannered Iggy Guerro, portrayed by Bobby Plasencia, is a new owner of a nearby steak shop and thinks there is plenty of room for both businesses . Mired down by his stubbornness which even his best friend Vince, aptly
played by William Rahill can’t dissuade, Nicky is trapped by his resistance to
change. Brian Cowden effectively plays a
rookie cop on the beat. Kittson O’Neill successfully
portrays Tambrey Walker, an in-your-face Eye Witness News Reporter. Alice York, as Emma, is a delight. Kudos to the entire design team: Costume
Designer Allison Roberts for her authenticity, Sound Designer Christopher
Colucci for his special touches,
Lighting Designer Drew Billiau for special effects, and Set Designer Ian Guzzone who, in
effect, had to design multiple sets.
This is a must-see show for all those who remember the precipitating event. It is also an important production for those who don’t
remember but just enjoy good theatre, for this piece is sure to earn a place in
history. For more information or tickets, call 215-568-8079 or visit online at www.interacttheatre.org. .
Thursday, April 3, 2014
Three Sisters
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ensemble cast in dining room |
The
Arden Theatre Company, located at 40 N. 2nd Street, will be
presenting an adaptation of Anton Chekhov’s Three
Sisters through April 20. A star-studded ensemble cast plays the multitude
of characters in Chekhov’s 4 Act play.
Acts 1 and 2 have the effect of
a play within a play with wide angle and
close-up camera shots of the characters on stage being directed and filmed,
then projected onto a large screen. This effect is not used after intermission. Perhaps because of this, the second half of the play is easier to follow, or
perhaps it is easier to follow because the characters have become more
familiar. Chekhov writes three dimensional characters and the actors do a brilliant
job of portraying them. Rebecca Gibel convincingly gives Natasha an acerbic tongue. Luigi Sottile, as Andre, brother to the three
Prozorov sisters, displays two personalities-one drunk and one sober. Sarah Sanford
portrays the oldest sister Olga. Usually
stoic and straight-laced, she can display a venomous temper when crossed.
Katherine Powell portrays the middle sister Masha who is unhappy but changes
personality completely when she finds happiness. Younger sister Irina is
portrayed by Mary Tuomanen. Her character changes the least. This is a play depicting
great longing and unrealized dreams.
Discontent lives within almost every character; each one wants something she does not
have. Returning to Moscow and what was once a more aristocaratic life
appears to be a panacea for the three sisters but somehow, it is always just a
little bit out of reach . Marriages occur, marriagies fail, liasons are
thwarted…is there no way out of this malaise? Ask Scott Greer who plays the doctor. He claims he’s forgotten everything he has
ever known and he just doesn’t care anymore. Surely the play can’t end on such
a dismal note. It really doesn’t, but
you’ll have to come see that for yourself. Much acclaimed scenic designer Eugene
Lee has made excellent use of partitions on the stage, creating two rooms and
steps leading on and off the stage as actor leave and enter with great
frequency. Three Sisters is an epic piece and one review can’t do it justice.
You must come to the Arden and see for yourself what the creative team had done
with this masterpiece. For more information or tickets, call 215-922-1122 or
visit online at ardentheatre.org.
Thursday, March 27, 2014
Vanya and Sonia and Masha and Spike
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Masha and Vanya and Sonia |
The
Philadelphia Theatre Company, housed in the Suzanne Roberts Theatre at Broad
and Lombard Streets is producing the 2013 Tony Award winning play Vanya and Sonia and Masha and Spike
through April 20. Playwright Christopher
Durang acquired names from Chekhov and carefully interwove some of Chekhov's most
common themes such as illness, disillusionment, lack of communication and
the importance of the cosmos into an extremely funny comedy. Members of this
incredibly talented ensemble cast of Kraig Swartz as Vanya, Deidre Madigan as
Sonia, Grace Gonglewski as Masha, Alec Shaw as Spike, Kianne Muschett as
Cassandra and Clare O’Malley as Nina have won multiple Barrymore Awards and have
been seen on Broadway and TV as well. Laughter abounds throughout the show as
the characters deliver humorous lines with straight faces, but you can hear a
pin drip during Vanya’s rant in the second act. Lighting designer Dennis
Parichy and set designer David Gordon have done a phenomenal job with the set -
a country home in pastoral Bucks County with trees aplenty and blue skies peering
through the skylights. This is a play
with many messages, but perhaps the most important one is to come see it and
enjoy yourself, for you surely will delight in this performance. For more information or tickets, call
215-985-0420 or visit online at PhiladelphiaTheatreCompany.org.
Sunday, March 23, 2014
Laughter on the 23rd Floor
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The Writers' Room |
The
Bristol Riverside Theatre, located at 120 Radcliffe Street, is presenting Neil
Simon’s Laughter on the 23rd
Floor through April 13. Based on his experiences writing for Sid Caesar
with Mel Brooks, Carl Reiner, and Sid Caesar himself, Simon’s comedy is set in
the writers’ room for the fictional comic, Max Prince. Jason Silverman does an
excellent job of portraying Lucas, an alias for Neil Simon. He serves as the
narrator as well as the newest addition to the comedian’s cadre of writers. Crazy antics and comic lines are delivered by
the entire first-rate ensemble cast which also includes Bruce Graham, Carl N.
Wallnau, Megan McDermott, Benjamin Lloyd, David Edwards, Kenneth Boys and K.O. DelMarcelle.
This production gives us a rare opportunity to see what happens behind the scenes
of a successful comedic series and what transpires when the star and his writing family and the
studio “bigwigs” don’t see eye to eye.
Although some of the gag lines are a bit dated, they are true to the
time period and come spinning across the stage at such a rapid pace that you scarcely
have time to notice. This piece evokes
a bit of nostalgia for those who remember “The Show of Shows” and
straightforward fun for those who don’t.
For more information or tickets, call 215-785-0100 or visit online at
brtstage.org.
Thursday, March 20, 2014
Arsenic And Old Lace
The
Walnut Street Theatre, located at 825 Walnut Street, is presenting Arsenic and Old Lace through April 27th
on its mainstage. Mary Martello and Jane
Ridley give us a delightful portrayal of two sweet, kind, and generous little old neighborhood ladies in Brooklyn.
But one must not forget that this is a farce. The Brewster women are truly charming but more than a little crazy, as are two of
their nephews. Jonathon Brewster, played by Dan Olmstead, has
escaped from a prison for the criminally insane and compellingly has no
intention of hiding his mean streak, while his brother Teddy, portrayed by Ben
Dibble, is convinced that he is President Theodore Roosevelt .working on the
Panama Canal. What sane person would
want to get involved with this family?
Neighbor Elaine Harper, portrayed by Jennie Eisenhower, has fallen in
love with the third brother, Mortimer,played by Damon Bonetti. While Mortimer shares her feelings, he tries to discourage her because he is afraid his family’s genetics
might catch up with him. As a good farce should be, this production is a labyrinth of twists and turns before
reaching its ending and produces many laughs along the way. The set is
magnificent. Kudos to the entire design staff for a job well done: Scenic
designer Robert Klingelhoefer, lighting designer Shon Causer, costume designer
Colleen Grady and sound designer Jacob Mishler have produced a brilliant
mansion parlor and staircase, with many egresses. The lighting and sound add to
the tension that builds and the costumes add to the hilarity. Arsenic and Old Lace is not a new show
but this production is very well done. If you have never seen it before, you
must see it now. If you have seen it in
the past, come and refresh your memory and laugh anew at the antics on Walnut’s
mainstage. For more information or tickets, phone 215-574-3550, 800-982-2787 or
visit online at www.walnutstreettheatre.org.
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